Successful Band Night At Kingdown School Raised £120 For Good Causes

June 2004

Danny Howell writes:

Band Night at Kingdown Community College last Wednesday proved a big success with the students, both on and off stage. £120 was raised, of which £80 will be donated to Amnesty International, the remainder going to the Kingdown students’ Duke Of Edinburgh Award China trip.

Opening the gig were Not Yet, who are Tom Hiscocks (vocals), Matt Carter (lead guitar), James Arthur (bass), and Henry Appleby (drums). They have been together since last September but the band was previously in existence with various members being added as time progressed. Their set, best described as metal rock, featured four numbers: The IntroRandom SoloWhy? and All These Days, with their finale being a cover of the Red Hot Chilli Peppers’ Fortune Faded.

Next up were Extremely Flammable, who are three 12 year olds: Lewis Noble (lead vocals and guitar), James Payne (vocals and bass), and Luca Castelli (drums). Luca is a power house percussionist and one to watch out for – he’s more than likely to end up being the drummer in a huge rock band in a few years time.

Their set featured three of their own songs: Not My FaultWhen You See, and Human Shadow, which they followed with two covers: Smells Like Teen Spirit (Nirvana) and Basket Case (Green Day).

Third on the bill were Missing Sentence: Stu Wickens (lead vocals), Andy Sutton (guitar), Luke Phillips (bass), and Rob Wickens (drums). They have been together for about eight months. Free Of AllSecond Chance and PA, all self-penned, were their opening numbers, with Stu banging on a bongo drum, and then followed a cover of the J. Geils Band’s Centrefold, which went down extremely well with the crowd.

Drummer Rob Wickens had by now stripped to the waist and looked very much a rock star with his tartan patched strides. The set finished with Once Again and Hide And Seek, and vocalist Stu commented afterwards that the gig had been “pretty cool.”

Next on were No Manual Labour, who started with two of their own compositions: Kane Wilson and Tiny Penis. NML are Kane Thomas (vocals and guitar), Tim Arnold (vocals and guitar), Pete Holman (bass), and Fabian Shingleton (drums).

Pete Holman, in black leather trousers with pointed leather boots to match, took lead vocals and undertook some heavy guitar work for a cracking cover of Black Sabbath’s Paranoid, which took the head-bangers to new heights – eat your heart out Geezer Butler and Ozzie Osborne!

By now, Keiran Thomas was guesting on drums and the rest of NML’s set was three self-penned songs, all untitled, and all being aired for the first time. Mia Burgess was guest vocalist on one number. Unfortunately Kane Thomas twice had strings that stretched, which resulted in him using three different guitars for the latter part of NML’s performance.

Headlining were Zero Hour, who have been playing together since last Christmas. They are Matthew Mitchell (vocals), Anthony Edgar and Nik Blagdon (guitars), Andrew Jackson (bass) and Jack Woods (drums). All have just left school except Jack who is staying on to do his A Levels.

Their set of 12 numbers was well received, with Mitchell constantly moving about the stage like a cat on a hot tin roof. Eight of the songs were self-penned efforts by the band, including their opening number Stick Around, and a personal favourite called Muggy Molly – a recalling of the time when two of the band and a friend went into a London pub not knowing it was a transvestite bar. Needless to say, when they realised their mistake, they quickly drank up and left!

Wednesday’s gig was the first time Zero Hour had played all their own songs in a single set. Their repertoire also included four covers, namely: Down (Blink 182), Franco Un-American (NOFX), Time Is Running Out (Muse), and just for fun, they did Sk8er Boi (Avril Lavigne), which is distinctly out of keeping with the band’s ethos and slightly embarrassing for them, but they got away with it. They played out with a long finale of another of their own songs, Been And Gone.

Their accomplished set showed what a close knit band they are, as explained by guitarist Edgar afterwards: “We seem to have a mutual understanding of what each other are doing. We can put things together very quickly. We only learned tonight’s covers yesterday but we picked them up straight away. Tonight wasn’t our best gig yet but we were pleased and we could see everybody was having fun too.”

Kingdown Head, Mrs Sheelagh Brown, who was at the gig but well away from the amps and speakers said “Kingdown allows young musicians to perform like this, because there are very few venues elsewhere in Warminster for them, and they can make as much noise as they like here. These young people are very talented and they know how to enjoy themselves. It’s great.”

Introducing Rosie Noorlander

Paul Macdonald, in The Warminster Packet, issue six, 28 October 1996, wrote:

THE WARMINSTER PACKET INTRODUCES ROSIE NOORLANDER

We heard a lovely voice on our travels. Singing one of our editor’s old favourites – Knock, Knock, Knocking on Heaven’s Door – (he is 40 after all and a classic in his own right) was 19 year old Rosie Noorlander of Longbridge Deverill.

Even without any backing music Rosie sounded so good that we would like to help Rosie and others like her to have their first live public appearance.

Perhaps not yet up to jamming at the Mason’s Arms or appearing live in front of large audiences, we want you to try performing in a relaxed atmosphere more or less for fun.

If you would like to come along and join in an evening playing a musical instrument or singing we would like to hear from you.

Perhaps you could join Rosie without the hassle of the costs of booking a venue, transporting sound and light equipment, having a full evening’s performance list, advertising, plug sockets and so on.

These evenings could not run to space for a full band but music can be good without drum kits, amplifiers and synthesizers.

We will use our contacts to find those venues suitable.

Meanwhile, Rosie and her friends practice hard as a new band that is coming together. We will do our best to keep you informed of how this and other local bands are getting on.

The Vly Be On The Turmuts

Compiled and written by Danny Howell, this article was first published in The Illustrated Warminster And District Miscellany, Volume One (Bedeguar Books, May 1996):

“The vly be on the turmuts, but there bain’t no vlies on I,” was once (and still is for some) the proud boast of every born and bred Moonraker. It is, of course, a line from the chorus of the signature tune of the Wiltshire Regiment. The Vly Be On The Turmuts, which was one of the regimental marches of the county’s soldiers, assumed the elevated status of being the “Wiltshire Anthem.” The song was often heard in Warminster, particularly in earshot of Stationmaster John Robert Lane, but why? A delve into his past and his wife’s family history reveals an interesting connection.

John Robert Lane was born in Quetta, India, when his father was an N.C.O. in the Wiltshire Regiment stationed there. The family lived at Heytesbury, where Mr. Lane senior is buried in the churchyard of St. Peter’s and St. Paul’s.

John Lane was employed on the railway since leaving school. He started at Warminster Station as a booking clerk but was later employed in the Railways Section of the Royal Naval Dockyard at Weymouth. He subsequently worked at Warminster, Trowbridge and other stations, becoming a relief stationmaster for the Warminster district prior to his appointment as Stationmaster at Heytesbury. After a period as Stationmaster at Martock in Somerset he took up the position of Stationmaster at Warminster on 1 November 1953, succeeding Mr. W.H. Gray.

John Lane was an expert in the automatic traffic control system relating to the rail network and spent many years making a close study of problems which had to be overcome with the system. He attended a number of significant conferences, in London, which dealt with the subject. During the Second World War he was a stalwart member of the Home Guard. A member of the local Chamber Of Trade he was keenly interested in suggestions for attracting tourism to the town.

It was while he he was employed at Trowbridge that he met his wife to be, who was formerly a Miss Hilda King. Her father was killed on active service during the First World War and her mother eventually re-married and emigrated to Australia. Hilda was brought up by her grandparents who lived at Adcroft Villa, Trowbridge. Hilda’s grandfather, John King, was a woollen manufacturer and his wife ran a drapery business, known as King’s Varieties, which was situated at the corner of Fore Street, near the entrance to the Park and almost opposite Trowbridge Town Hall.

John King had a reputation as a pleasing singer and concert performer. He found fame locally as the composer of the Wiltshire Regiment’s most rousing military march The Vly Be On The Turmuts. It was originally intended as a a country folk song but became popular with Wiltshire’s fighting men after the Bandmaster of the Wiltshire Regiment, who was at the time a great friend of John King’s, heard it, liked it and asked permission to orchestrate it as a march.

Hilda Lane was widely known because of her dancing classes, with students throughout Wiltshire. She had many friends at Westbury, Trowbridge, Chippenham and Bath, as well as at Warminster. She worked as chief clerk for Warminster solicitors Messrs. Wakeman & Bain for many years. She was a trustee of the Warren Almshouses at Portway and gave help to the local youth movement in its early days. Unfortunately she became ill for some time and had to undergo treatment at Southampton Hospital and Harnwood Hospital, Salisbury. She died at Harnwood Hospital on 19 January 1959. She was 58. She willed her body to Dr. Graham Campbell for transmission to the Medical Research Unit at Bristol. A memorial service for Hilda Lane was held at St. John’s Church, Boreham Road, Warminster, on Saturday 24 January 1959.

John Lane, who lived at Fieldview, 2 Chancery Lane, Warminster, was in the habit of taking an evening constitutional, sometimes stopping to enjoy a glass of ale with friends at the Rose & Crown pub, East Street. It was in the yard of the Rose & Crown that he collapsed on the evening of Thursday 31 August 1961. Medical aid was summoned but he died the following morning. He was 57. His funeral was held at St. John’s and was followed by cremation at Salisbury. He was survived by two sons: Michael, who lived at Silver Street and farmed in the district; and David, who was at the Castle Garage, Nunney.

John Lane never ceased to be proud and pleased at the honour shown to him and his wife with regard The Vly Be On The Turmuts. The Wiltshire Regimental Band never forgot the composer of the lyrics and the haunting melody and they loved to play it for his family and in-laws. Whenever the band had to parade on the platform of Warminster Station they always broke into the famous march especially for Mr. Lane. Likewise, on occasions such as when Mrs. Lane was in the audience at a keep-fit demonstration at Warminster Town football ground the band played the march in her honour.

The tune was published by Henry Millington, a bearded gentleman, of Trowbridge. Millington, who was born at Bath in 1840, was the eldest son of William Millington, a landscape and architectural artist who did much towards the development of lithography. The family included many musicians and was connected for a century with Chester Cathedral as vicars choral or lay vicars.

Henry Millington was “a musician through and through….. a leader of all things that pertained to the love and culture of music…” and “…. a performer of great ability.” As a pianist and organist he excelled but his repertoire included numerous other instruments including the side drum. At one time he was in the Trowbridge saxhorn band. He also founded and ran a musical union.

His first appointment was as organist at the Conigre Chapel, Trowbridge, which he held for several years but at the request of the Rector the Rev. J.D. Hastings he transferred to Trowbridge Parish Church where he was organist and choirmaster for 43 years. He performed his duties with great zeal and ability, resigning from the post in 1906.

As a bandmaster and conductor his record was a notable one. To begin with he took charge of the Trowbridge Rifle Corps Band but was soon appointed to the 1st Wiltshire V.R.C. and later became bandmaster of the Western Counties’ Volunteer Brigade. The band once played at a garden party for the Duke Of Albany during the time when he had taken up temporary residence at Boyton Manor. Millington also played for the Kaiser, Frederick William, at the Jubilee Review at Windsor. On that occasion he played a selection from Rossini.

A former pupil of Chevalier Lemmens, Millington was a brilliant performer on the Mustel organ and later possessed the original instrument which Lemmens entertained the public with. Millington had also been, in the early 1860s, a pianoforte student of Mr. Julius – later Sir Julius Benedict – and through him came into contact not only with composers but also many famous celebrities including Charles Dickens and Thackeray.

Millington was a prominent freemason and was appointed on six occasions to the position of Provincial Grand Organist for the Province of Wilts. He was the local examiner for the Royal College Of Music and the composer of many pieces, particularly for military bands. He certainly provided the Volunteers with a marching tune which lived on and was later associated with the 4th Wilts T.A. (as the former Volunteers became).

Henry Millington died at Avon View, Trowbridge, on the morning of Sunday 3 September 1911. He was 70.

Let’s end this article with a final word about Hilda Lane’s grandfather, John King. Although he is said to have written the words and composed the tune of The Vly Be On The Turmuts, it is more probable that he adapted a traditional song and tune rather than it being a truly original composition, as shown by the words and music which are reproduced here:

BBC To Film Frome-Based Black Earth At Rock The Ath, Warminster

Friday 27th April 1990

Frome-based Black Earth, whose new album The Feeling (President Records) will be release soon, will be on camera when they Rock The Ath tomorrow (Saturday 28th April 1990).

A BBC camera crew will be on hand throughout the evening, as Black Earth will feature in a short television piece about West Wiltshire Arts Centre and The Athenaeum, to be shown on BBC2 on 11th May 1990.

This will be a return visit for the four piece band, of Richard Stout, Jason Moore, Dominic McDonald, and Jane M. Rees. They are sharing the bill with Bath band I’ve Lost Sarah!

Two Warminster Composers: Jack Neat And Charles Pearce

From Yesterday’s Warminster, by Danny Howell, published in March 1987:

As well as films, the Palace Cinema in Warminster presented other entertainment including plays, pantomimes, operas and music. A benefit concert in June 1914, in aid of the fund for widows and orphan of the Empress Of Ireland disaster, featured a recitation by Mr. Dunford, a violin solo of Handel’s Sonata by C. Gray, songs by Gresham Robinson, and a song called The Camel’s Hump performed by Mrs Rothwell. Star turn of the show was Warminster resident Jack Neat, the son of the Fire Brigade Captain, J.H. Neat. Jack sang Anchored, one of the many songs for which he penned the music. He was well-known in London musical circles, where he often gave organ recitals. Among his other compositions were Catchy-Coo, Rhoda Ran A PagodaWeary Willie and March Rhodesia. The latter was dedicated to the Rt. Hon. Cecil Rhodes, and copies of the song were presented to the Royal Family and the Lord Mayor of London. Making an impromptu visit from the capital to his home town in January 1904, Jack Neat gave a solo concert at the Athenaeum, presided over by his father. He played his own numbers including The Ragged DudeThe Society Cakewalk, and The Skittle-Alley Coon. His biggest “hit’ of all time was probably She’s A Lassie From Lancashire, which became a popular music hall favourite and is still sung in variety shows today.

She’s A Lassie From Lancashire was co-composed with another Warminster resident, Charles Pearce, who once lived at 23 East Street (now demolished). Charles Pearce left Warminster in July 1891, when he was 17 and, under the stage name of Charles Cardow, became a popular singer, dancer and composer in his own right. Among his classic compositions was I Wouldn’t Leave My Little Wooden Hut For You. The big names of the day, including Vesta Tilley and Sir Harry Lauder, featured many of his songs in their acts. One of Charles Cardow’s biggest “hits’ was a song he composed one afternoon in Liverpool after noticing how the sailors in uniform seemed to have the prettiest girls on their arms. Instantly inspired, he jotted down a title and quickly wrote the verses and melody for All The Nice Girls Love A Sailor.

She’s A Lassie From Lancashire
From a dear little Lancashire town
A boy had sailed away,
Across the briny spray
To toil in the U.S.A.
When American girls gathered round
And sought his company
He’d say “There’s only one girl for me”

Chorus:
“She’s a lassie from Lancashire,
Just a lassie from Lancashire,
She’s the lassie that I love dear,
Oh, so dear!
Though she’s dressed in clogs and shawl,
She’s the prettiest of them all,
None could be fairer or rarer than Sarah,
My lass from Lancashire”

Night and day of his lassie he’d dream,
And under love’s sweet spell
He’d hear the fact’ry bell,
The sound he knew so well,
Home from work they would walk once again,
And though in reverie,
He’d say “There’s only one girl for me”
Chorus
Day by day he kept plodding away,
And to his task he stuck,
Till by a stroke of luck,
A paying vein he struck,
As he wrote her to tell her that he
Would shortly cross the sea,
He’d say “There’s only one girl for me”
Chorus

Charles Cardow’s more important claim to fame was his idea of staging seaside concert parties at English coastal resorts, based on the old minstrel shows made popular by the Christy Minstrels of America. In his final years, Charles Cardow lived at 65 Licander Road Mossley Hill, Liverpool, where he died in 1967.

The Mikado At The Athenaeum

From the Wylye Valley Life magazine, issue no.41, Friday 13th December 1985:

Billed as one of the biggest shows ever staged at the Warminster Arts Centre, Barry Mole and Kerry Bishop’s latest offering is Gilbert and Sullivan’s best loved comic operetta, The Mikado, which is celebrating 100 years of performance since its opening night in 1885; now the 1985 version is all set to be the Centre’s big box office draw just before Christmas, complimented by a special Japanese exhibition courtesy of Director Kate Stuart, who spent a considerable amount of time in Japan.

The cast of the Warminster Savoyards production of The Mikado.

Little more than seven weeks were available to put the fully staged show together, so Messrs. Mole and Bishop have formed a company – the Warminster Savoyards – consisting of many experienced local performers from in and around the town who will give encouragement to those few treading the boards for the first time. Scenery, costumes and orchestra have all been sponsored by four local businessmen so that the show will be excellent value and still raise money for the Arts Centre.

The production features Bob Gale as Ko-Ko, Geoff Myall as Mikado, Judy Duffus as Katisha, Iain McKenzie as Pooh-Bah, Bob Page as Nanki-Poo, Richard Owen as Pish-Tush, Liz Clark as Yum-Yum, with Joanne Plenty and Heather Singer as her sisters Petti-Sing and Peep-Bo. Nobles are: Steve Reynolds, Dudley Ford, George Bradbury, Archie Redman, Paul Short, Bernard Epps, and James Lang-Brown. Schoolgirls are: Carol Owen, Sheila Toomey, Wendy Jones, Jane Cross, Derryn Copley, Chris Bishop, Elizabeth Lang-Brown, and Rose Ford. Matthew Reynolds is Ko-Ko’s bearer who has a Samurai sword bigger than himself to carry. The orchestra chorus will have its fair share of well known voices: Jean Jones, Emlyn Rees and David Mitchell, to name but a few.

It will be the first time ever that a fully staged operetta is produced exclusively for the Arts Centre; there will be four performances of the show just before Christmas.

Youth Band Concert Staged By PHAB

From the Wylye Valley Life magazine, No.24, Friday 19th April 1985:

About sixty people attended a charity band concert given by the Trowbridge and District Youth Band at Warminster Arts Centre last Wednesday week.

The concert was staged by Warminster Physically Handicapped And Able-Bodied Club and the compere was Mr. B. Cooper who introduced a varied programme of brass band music as well as two pieces for a recorder trio.

The conductors were Mr. J. Parsons and Mr. C. Aldridge.

Mere Manor Brass Band

From the Wylye Valley Life magazine, Issue No.9, Friday 7 September 1984:

Mere Manor Brass have just completed a busy summer season which included appearances at many local fetes, a concert in aid of Cancer Research, and culminated in the Mere Carnival Procession on September 1st.

The band are now preparing for the Autumn season which includes a number of contests. The band are graded 4th section nationally and 2nd section on the Wessex Brass Band Association.

Due to some players leaving the district to study at college, the band have a number of vacancies. They would welcome any brass or percussion players who are interested in playing in a concert and contesting band.

The band also run a learner’s group where young people (and older ones!) are taught brass instruments. This is an ideal way for a youngster with a genuine interest in music to learn an instrument and progress to group playing. Apart from the annual subscription, tuition is free and where possible an instrument is provided – but lots of hard work is asked in return.

Mere Manor Brass will also be pleased to consider requests for local charities and anyone interested should contact the band secretary: Mrs. D. Evans, 58 Manor Road, Mere, Wilts, BA12 6HF.

A Concert With John Anderson And Simon Wynberg At Fisherton Delamere

Church of St. Nicholas, 
Fisherton Delamere.
Saturday 30th June 1984, at 6.30 p.m.

A concert featuring
John Anderson, Oboe
(principal oboe, BBC Symphony Orchestra)
and
Simon Wynberg (guitar).

Music by Francois Molino, J.S. Bach, 
Napoleon Coste, Tom Eastwood, 
Jacques Ibert, Fernando Sor,
Johann Baptist Wanhal.

Tickets £3.00 by cheque to 
Fisherton Trust,
Heron Cottage, Fisherton de la Mere, 
Warminster, Wilts,
or at the door.

“Recitals of this kind are hard to come by . . . 
and the packed audience clearly loved 
every minute of it.” (Classical Guitar).

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